Mylio brochures
And with menu systems (even from the same manufacturer), it’s a challenge.
#MYLIO BROCHURES PROFESSIONAL#
In a professional context, operating the camera must be second nature.
![mylio brochures mylio brochures](https://images.squarespace-cdn.com/content/v1/5b880486c258b42a9328a99d/1562354455968-YYTFDJHLC6MH5S1UP833/ke17ZwdGBToddI8pDm48kEpVg-ILAPna1wRh-xAJ9fRZw-zPPgdn4jUwVcJE1ZvWQUxwkmyExglNqGp0IvTJZUJFbgE-7XRK3dMEBRBhUpwEv36x-EUL2-BSQ5feDhwGCbXuJBFqZ-erYzVouT8yOb9TwqchglLQOCYTRn7ZGxI/image-asset.jpeg)
For simplicity, I’m not crazy about having a third body in the mix with slightly different menus. Just in the last few days, I’ve been amazed at the video functionality. Even for BTS video, I can see this camera as a winner. What about video? I don’t shoot much video at all. Unfortunately, these features seem to have missed the marketing budget.
#MYLIO BROCHURES MANUAL#
Nikon has a released an entire manual for networking the Z6 and Z7. You’d think offering simple WiFi connection would be easy, but it’s been more complicated than you’d think. I’ve played with it just a bit, but need to spend more time. The Z cameras also have some newer WiFi functionality built in. So the rational choice would be to wait for the native Z-mount 70-200mm. I don’t make money with a 24-70mm as I do with a 70-200mm. Not as big as the F-mount version, but still big. I’ll probably pick up the 50mm f/1.8 too as the Nikon F-mount 50mm is showing its age.Īt WPPI, I checked out the new 24-70mm f/2.8 Z mount - it’s beefy. While I’m not a big fan of the 24-70mm range, I stick to longer primes or a 70-200mm for portrait work. I went with the 24-70mm f/4 kit because of it’s size and utility. I’ll be more likely to simply have the camera with me. But the form factor alone is a big improvement. OK, maybe for personal use like chasing my kids around, I can see the need for the eye AF. Once a tethered setup is established, I try to avoid disconnecting for any reason as tethering in Lightroom isn’t 100% reliable. For larger volume jobs, I need to do some testing to see what I can expect in terms of battery life in tethered setups. The form factor and portability is great for my individual headshots sessions. Your best portraits will come from more interaction with the client and less chasing of focus points.įor studio sessions, I’m really loving the Z6. Certainly not the most challenging autofocus situation, but it’s exciting to think how this could change my workflow. But with the Z6, I just engage the AF and it finds the face every time. Normally, I’m always moving around the focus point to the eye as I recompose. And while it doesn’t have the eye detection yet, I found the face detection more than adequate for studio use. The in-body stabilization is already coming in handy in the studio. The 24-megapixel resolution is plenty for my needs. I carried the Z6, FTZ adapter, native 24-70mm f/4 and F-mount 85mm f/1.4 lens in a backpack and it didn’t feel any heavier (on a quarter mile walk from the car) than the D850 and 85mm lens alone.
![mylio brochures mylio brochures](https://m.media-amazon.com/images/I/717NALwu1dL._AC_SS350_.jpg)
It’s far lighter even compared to the D850. So far, the Z6 straddles these two environments well. Your technique must be spot on with the D850. Just the other day on location, I was dragging the shutter to bring in a little more ambient light in an office and I found it tough to go much below 1/125 of a second without getting a little camera shake blur (with a 24-70mm lens). But those pixels aren’t as forgiving as the D4S. The D850’s resolution is of course amazing.
![mylio brochures mylio brochures](https://images.squarespace-cdn.com/content/v1/5b880486c258b42a9328a99d/1562529560932-R0VO2PIBOKFUUKD1I3IO/ke17ZwdGBToddI8pDm48kEpVg-ILAPna1wRh-xAJ9fRZw-zPPgdn4jUwVcJE1ZvWQUxwkmyExglNqGp0IvTJZUJFbgE-7XRK3dMEBRBhUpwEv36x-EUL2-BSQ5feDhwGCbXuJBFqZ-erYzVouT8yOb9TwqchglLQOCYTRn7ZGxI/image-asset.jpeg)
#MYLIO BROCHURES ISO#
As a regular strobe user, I wish ISO 64 was standard on all cameras.
![mylio brochures mylio brochures](https://i1.wp.com/naturalexposures.com/wp-content/uploads/2016/04/Dan-and-Mihir-1.jpg)
I love the ugly office light killing ISO 64 range. As it’s easier to manage with a prime lens, hand held or on the tripod. In my new studio, I usually reach for my D850. Would you rather be driving an Audi A7 or a Volkswagen Jetta? Headshots in the studio If you know you’ll be driving 25,000 miles a year. All the little refinements add up with heavy use. Every function is accessible - even in the dark with back-lit buttons. There’s just something about handling a D4S sized body on an almost daily basis. I tend to shoot fast and frequent as catching changes in micro expressions are key to getting the perfect shot. That mass still translates to credibility among non photographers, but my back also takes notice. The only real downside of the D4S is its mass. In fact, more recently, I’ve had more challenges downsizing images as opposed to not having enough pixels. The resolution is very manageable as my work typically ends up online or in small print brochures or magazines. I love that it doesn’t go to sleep like mirrorless cameras or my lights. It will sit there all day, ready for action in a fraction of a second. Headshots on locationįor the volume corporate headshot jobs, the D4S is still my favorite tool. As a corporate headshot photographer, I’m typically on location, in a conference room for the day or in my studio for individual sessions. With a D4S and D850, I was interested to see how the Nikon Z6 could fit into my professional (and personal) workflow. As a long time Nikon shooter, I was patiently waiting for the Z series.